| 1. | One - minute video art and its perceptual forms
一分钟录像艺术及其知觉形式
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| 2. | Video art has become a popular medium in today ‘ s art , especially in collages
今天，视频艺术已经成为一种非常受欢迎的绘画形式，特别是在拼贴图中。
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| 3. | Video art has become a popular medium in today ' s art , especially in collages
通过创造性地利用技术产生可以在电视屏幕上观看的一种艺术形式，产生于20世纪末。
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| 4. | Video art has become a popular medium in today ' s art , e ecially in collages
通过创造性地利用视频技术产生可以在电视屏幕上观看的一种艺术形式。产生于20世纪末。
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| 5. | Video art has become a popular medium in today ' s art , especially in collages
通过创造性地利用视频技术产生可以在电视屏幕上观看的一种艺术形式。产生于20世纪末。
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| 6. | P > video art has become a popular medium in today ' s art , especially in collages
通过创造性地利用视频技术产生可以在电视屏幕上观看的一种艺术形式。产生于20世纪末。
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| 7. | Video art has become a popular medium in today ' s art , especially in collages
经过发明性地利用视频技术发生可以在电视屏幕上观看的一种什么样的艺术形式。发生于20世纪末。
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| 8. | Hanspeter ammann is a swiss video art , also the curator of " fascinated and touched " in microwave international media art festival 2004
汉斯柏特安曼是瑞士的录像艺术家、他是上年微波国际媒体艺术节内迷住你怠动你的策划人。
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| 9. | As far as video art is concerned , its contradiction in digital centrally embodies in the relation between art and technology and in the meaning of art content to art value
对于影视艺术而言，其在数字时代的矛盾集中体现在艺术与技术的关系、艺术内容对于艺术价值的意义等方面。
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| 10. | Movements such as independent filmmaking , kinetic art , experiments in art and technology ( eat ) , and video art were all shaping the technology as much as the technology was shaping culture
诸如独立电影运动、动态艺术、科技艺术实验以及录像艺术都如同技术塑造艺术般地影响着技术本身。
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